As part of the Mixcloud Curators series, Fabric DJ Mackaveli has compiled a formidable hour long chronicle comprising tunes from the likes of Wookie, Dop, The Knife and more. At times relaxed, at others funkier than your Grandma in an MC hammer video, this has a little bit for everyone. The Mosca remix of Tempa T’s ‘Next Hype’ is particularly mad and I’ve also been enjoying Mount Kimbie’s take on Foals’ ‘Spanish Sahara’.
Listen below, the tracklist is snugly located inside the little widget.
Recorded at Thekla in Bristol for the Foo Magazine versus Monkey!Knife!Fight! night a couple of weeks ago, ‘The History of Dubstep’ is Plastician’s masterfully compiled journey charting the genre’s evolution from its humble garage beginnings to the diverse landscape we know today. Featuring tunes by the likes of Wookie, Skream, Flux Pavilion, Artwork, DJ Zinc and Sukh Knight, there’s a huge amount of quality running through this mix and some equally good MCing from P-Money — the guy who destroyed Ghetts — augmenting proceedings. If there’s one thing you download today, don’t let it be another Anal Adventure flick…let it be this.
I may have been scathing about the name of the new album and the fact that ‘Woo Boost’ sounds like a rehash of ‘Mr Chips’ but Rusko’s latest track to surface, ‘Hold On’, is pretty sick. Silvery vocals lie on a blanket of subtle bass, all punctuated by crisp percussion that sounds as sweet as an ice cube on a freshly cut lawn. It’s more of a soft garage vibe than his usual punch-in-the-nuts-and-skank material — 2007’s exquisite ‘Love is Real’ is an exception — and it’s very pleasant indeed. He should be making more stuff like this and hopefully OMG will follow the positive vibes and feature a few more flashes of brilliance.
For now, however, all we can do is lay back and relax. Well…that’s what I’m going to do anyway. I wonder if I’ll leave the house today…?
Ho ho I selected words from the official title of the below video to throw you all into a veritable tornado of unexpected confusion. Did I just see a cow fly past in my tractor’s rear-view mirror?
Sheffield’s favourite genre-defying nutcases M.I.Loki have been ruling the roost for some time now, I mean their homemade imprint won Best Label at Breakspoll for crying out loud.
Likening these chaps to a couple of mad scientists is a tad cliché but definitely does the duo justice. Out of the M.I.Loki lab this time round then comes something no less bonkers. And I mean bonkers in the conkers with a B sense not the D.Rascal lovin’ life sense, because conkers are pretty crazy if you think about it.
The video doesn’t need explaining. I say that mainly because I can’t. Introducing M.I.Loki’s new video; a bizarre but very refreshing mix of 70’s harmonies, synchronized swimming and filthy filthy beats…
Compatriot of Tes La Rok, Desto is one of the few Finnish dubstep producers to hit the peripheries of the international scene. Making music that sounds like Burial and Ramadanman dropped in the middle of a deserted metropolis during a nuclear winter, it provokes all kinds of futuristic reverie. Mesmerising, melodic and seriously addictive, this stuff makes you feel like you’re mainlining essence of perfection.
‘Broken Memory’ is the b-side to the forthcoming release of ‘Disappearing Reappearing Ink’, which is set to drop on Ramp Recordings as RAMP027 some time this month. An unknown benefactor sneaked me an mp3, so grab a taste of genius below. But seriously, go and buy this, it’s huge.
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Burial and the man before Burial, garage legend and dubstep pioneer El-B, are conspiring to collaborate on an upcoming compilation release dubbed Nu-Levels. Due to drop on El-B’s imprint, Ghost Recordings, in April, El told Fact mag that the release will feature “Zed Bias, Burial, El-B, Narrows, MRK-1, Luke Envoy, Heny-G, J da Flex plus three new artists: Yoof, Karmine, Opus” as well as a host of vocal talent.
The motivation behind the record is that all the heads at the label “were just so sick of strong 12” releases and a constant stream of weak dubstep albums with two good tracks”, so I guess they just decided it was time for something better. Hopefully it’ll be considerably more enjoyable than Caspa’s Everybody’s Talking, Nobody’s Listening. I don’t care what anybody says about that god damn album, it’s shit and every copy deserves to be melted into slag and buried in a volcano. Apart from that ‘Lon-Don City’ track…that’s pretty cool…
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